Examples And Tips For Using Illustrator’s Warp Tools — Smashing Magazine

Examples And Tips For Using Illustrator’s Warp Tools

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For those of you yearning to learn more about Illustrator, Tara Hornor takes a look at one of the less-mentioned features: the Warp tools. So, open up Illustrator, and get ready to dive into a learning experience that is sure to improve your logos, illustrations, posters and more! For those of you yearning to learn more about Illustrator, Tara Hornor takes a look at one of the less-mentioned features: the Warp tools. So, open up Illustrator, and get ready to dive into a learning experience that is sure to improve your logos, illustrations, posters and more!

Adobe Illustrator is one very useful program for creating vector artwork. The tools and features available in Illustrator make it easy to create digital illustrations, whether from scratch or by tracing a photograph.

But this is not all Illustrator can do. Businesses can create impressive graphs using Illustrator’s Graph tools. Marketers can use the impressive Type tool and other type features to design single-page ads. Designers create logos and other marketing graphics that need to be scalable in Illustrator. In short, Illustrator is a comprehensive vector program that is difficult to master.

The aim of this article is to provide one more resource for those of you yearning to learn more about Illustrator. We’ll look at one of the less-mentioned features: the Warp tools, also known as the ‘Liquify tools’.

For you Photoshop gurus, these are similar to Photoshop’s Liquify tool, except that the Liquify effects seen in Photoshop are broken down in Illustrator into seven different tools: Warp, Twirl, Pucker, Bloat, Scallop, *Crystallize *and Wrinkle. These seven tools are all a part of Illustrator’s Liquify package.

At first glance, some of these tools may look the same, but each has a special effect. And we’ll explore the various effects by creating an ornamental illustration involving branches, vines and flowers. You’ll be able to save and add each of the design elements to your collection of Illustrator symbols as well.

So, open up Illustrator, and get ready to dive into a learning experience that is sure to improve your logos, illustrations, posters and more.

In versions CS to CS4, the Liquify tools are located in the toolbar directly below the Rotate tool and above the Live Paint Bucket tool. In Illustrator CS5, the Warp tools are in the same location but now underneath the new Width tool.

Simply click and hold the Width tool to view a pop-out menu of the seven Liquify tools. Then release your mouse over the tool you want to use. Or simply use the keyboard shortcut Shift + R to access the basic Warp tool.

Pop-out menu of the seven Liquify tools.

To keep the Warp tools handy, click on the “Tearoff” arrow to the right of the pop-out box. This will detach the tools from the toolbar so that you can access them much more easily while working.

Keeping the Warp tools handy.

Basic Use

Before diving into a design project, you will need to know some of the usability features of the Liquify tools. For instance, all of the tools can be used to warp an object inward or outward, as shown in the image below (created using the Bloat tool). When creating an inward warp, you need to start with the crosshairs outside of the path. The opposite goes for an outward warp: keep the crosshairs inside of the path.

All of the tools can be used to warp an object inward or outward.

When using the tools, simply click once to reshape the image, as done with the Bloat tool above (this feature does not work with the basic Warp tool). Or drag the tool across the image for a more dramatic effect, as in the following example, done with the Twirl tool:

Twirl tool.

For better results along paths, make sure that the crosshair icon in the center of your brush is on the path that you want to reshape when clicking on the object. This will ensure that the brush selects the actual path, rather than having more of a pushing effect against the path.

Place crosshairs on a path.

To open the “Options” box and change the settings for a Warp tool at any time, simply double-click the tool’s icon:

Warp tool options.

All of the tools have the same basic brush dimension options, which include width, height, angle and intensity. Basically, the width and height options change the shape of the brush; although, a quicker way to adjust the brush’s shape is to hold down Option/Alt while dragging the mouse across the screen. (And hold down Shift + Option/Alt to keep the dimensions of the brush proportional.)

The angle option adjusts the angle of the brush. For instance, if your brush is an oval shape, it would be angled to the left at 120° and to the right at -120° .

The intensity option, of course, adjusts how much of a change each stroke makes. If you want more control, select a lower number. If you want a dramatic change, select a higher number. If you are using a pressure-sensitive tablet device, the “Pressure Pen” option lets you control the intensity with the pressure of your pen on the tablet.

The lower half of the “Options” box contains adjustments specific to the reshaping brush you have selected. Many of the tools include “Detail” and “Simplify,” but the Twirl, Pucker, Crystallize and Wrinkle tools include several other options as well, covered in more detail later. Keep in mind that the best way to learn each Warp tool is to play around with the options yourself.

Using Warp, Twirl And Wrinkle To Create Vines

The Warp, Twirl and Wrinkle tools do an amazing job of creating wood grain and branch or vine shapes. The easiest way to do this is to create a brown rectangle and then fill it with lines. You can either use the Line Segment tool to create and duplicate line patterns in a slightly darker brown than the rectangle background, or follow the easy tutorial on creating a wood grain texture from VecTips.

Brown rectangle with lines.

Double-click on the Warp tool and change the width to 50 points, the height to 50 points and the intensity to 30% . This is the basic and most well-known of the Liquify tools, but maybe only because it is first in the menu. With this tool, you have to move the mouse to make changes; simply clicking in one spot does not reshape an object.

To get a glimpse of how this particular tool works, drag the Warp tool across the top of the rectangle, while ever so slightly shaking it up and down. The Warp tools tend to distort if used too much, so if you do not like the effect created, hit Ctrl + Z to erase moves and try again. Keep sweeping the Warp tool across the rectangle in small sections until you have created lines that look like wood grain:

Warp tool creating wood grain.

Tip: If you followed the technique of creating individual lines, go to Object → Path → Join before moving on to the next step.

Now for the fun part: creating a vine to save as a symbol. Double-click on the Twirl tool to see its settings. In addition to the settings for the regular Warp tool, you will notice a “Twirl Rate” option. This affect how fast or slow, as well as which direction, the tool turns in a circular motion. A negative number will twirl the tool clockwise; a positive number will turn it counter-clockwise.

Twirl tool options.

Use the settings in the image above, and then click on each corner of the rectangle. Make sure the crosshairs stay on the outside of the rectangle. The Twirl Rate is set to make the tool turn counterclockwise; but rather than opening up “Options” every time you need to change the direction, use the hot key: Option/Alt . Make sure, though, to click first and then hit the hot key, or else Illustrator will think that you are trying to change the brush size rather than the direction of the twirl.

Twirl each corner.

The best part of the Twirl tool is its ability to produce many unique shapes. If you want, you could go crazy twirling the tool across the entire page. Create something like the graphic below by changing the intensity to 50% and the twirl rate to 50 . Then start in the upper-left corner of the wood, and drag the tool up and down the graphic; then swipe it once briefly horizontally across the center. Results will vary depending on your motions.

Create an abstract with the Twirl tool.

Or you could be more controlled with your movements using Twirl and create vine-like branches, like the ones below. To get a similar look, use the same settings that you used to create the four twirled corners of the wood piece; only make the brush smaller by holding Shift + Option/Alt and clicking and dragging your mouse across the screen. Change the size to create different-sized branches. Now click along the edges wherever you think a small branch should be. Remember to hit Option/Alt after clicking the mouse to change the direction of the twirl.

Add more branches.

Vines are not perfectly circular, though, so add some character to each one by clicking it with the Twirl tool, again changing the brush size as needed.

Add character to branches.

The Warp tool is excellent for molding shapes, which is exactly what this ornamental branch needs at this stage of the process. Double-click on the Warp tool, and change the width and height to 50 points and the intensity to 50% . Then, start pushing the brush against any sharp or straight edges. You can also pull out some of the edges or pull on a few twirled vines.

Shape with Warp tool.

You may want to play around with the Warp tool to see just how far you can stretch graphics. Change the intensity to 100% , and start stretching and pulling on branches. You may get something like the following:

Distortion with the Warp tool.

Now double-click on the Wrinkle tool. You’ll notice that this tool comes with extra settings. The “Horizontal” and “Vertical” settings control the direction of the wrinkles. When working on a complex image with multiple anchor points, you may want to select “Brush Affects In/Out Tangent Handles,” rather than “Brush Affects Anchor Points,” to limit the effects of the tool. To add a slight texture to the smooth parts of the ornamental wood design, use the following settings:

Wrinkle tool options.

The longer you hold the Wrinkle tool, the more it will wrinkle the image. You can create something like the following texture by dragging the tool across the smoother sections of the graphic, making sure the crosshairs of the cursor are close to the edges to be wrinkled.

Add texture with Wrinkle tool.

You may notice that the Wrinkle tool works almost like sound waves and creates some really interesting effects. Change the intensity to 100% , and drag the tool across the entire design. Now your branches will look almost mossy, or at least tangled with vines.

Mossy branches.

Using Pucker, Scallop And Warp To Create Flowers

Here’s one easy way to create flowers. Start by creating an oval shape and filling it with a gradient. Then double-click on the Pucker tool, and change the intensity to 50% . Make the size slightly larger than the width of your oval but not as high. Then click and hold over the center of the oval until the sides come together in the middle.

If the brush is higher than the oval, then the entire shape will disappear because the Pucker tool draws points on a path together. Just as when you draw fabric together, however, the Pucker tool does not delete points of a path but simply gathers them together, shrinking the total area:

Using the Pucker tool on an oval.

Now right-click on the puckered oval, go to Transform → Rotate , enter 90° , and hit “Copy.” Place this rotated copy over the first petal. With this petal selected, go to Transform → Rotate again, enter 45° , and hit “Copy.” Select this last petal, go to Transform → Rotate , and create a 90° copy. Now select the entire flower, right-click, and select “Group.” Right-click again, and select Transform → Scale . Set “Uniform Scale” to 50% , and hit “Copy.” Place this copy over the center of the larger flower, and “Group” the entire image again.

Rotate and scale the petals.

Select the Warp tool, and using an intensity of 30% and an appropriate size, sweep it across the petals to create a wilted look. If the center of the flower looks loose, then use the Scallop tool at an intensity of 30% or less and click once on the center. Make sure the size is no larger than the center petals. Create a few variations:

You may want to play around with the Pucker and Scallop tools to see the different effects they create. As mentioned, Pucker draws points together, and it will do so even when you are dragging the brush across an image. Below, the brush was dragged outward on five different sections of the flower, using an intensity of 100% .

Draw outward on flower with Pucker.

The Scallop tool can create quite a variety of designs with its multiple settings. Keep in mind, though, that the higher the number for “Complexity” and “Detail,” the more the effect will just look like thick black strokes. The first flower below was created using a complexity of 5 , detail of 10 and intensity of 30% . The second flower has a complexity and detail of 2 and an intensity of 30% ; the scallops are much more noticeable. Increase the intensity to 100% and drag the brush counter-clockwise on the flower to create an image like the third flower below.

Different settings with the Scallop tool.

Using Bloat And Crystallize To Create Mossy Vines

The Bloat tool is similar to Warp in that it can be used to shape objects, except that it “bloats” outward or inward, almost as if someone put a magnifying glass up to the object and captured the resulting image.

Before selecting Bloat, draw a long rectangle, and fill it with a brown and green gradient. Double-click on the Bloat tool, and change the intensity to 50% . Click “OK,” and hold Shift + Option/Alt to give the tool about the same circumference as the width of the rectangle. Begin bloating the rectangle into a vine shape. You may want to start at each end first:

Bloat each end of rectangle.

Continue shaping the vine with Bloat. Try long strokes across the length of the vine, both above and underneath. To create thinner lines, place the crosshairs of the brush outside of the paths to push against the shape. To make parts of the vine thicker, place the crosshairs on the inside of the image.

Shape vine more using bloat tool.

Further shape the vine with the Bloat tool, adding stubs by using a smaller brush size and dragging sections of the vine outward. You may want to change the intensity to 100% to create more dramatic strokes. Change the size of the brush as needed.

Continue shaping and add small vines.

Although quite similar to the Scallop tool, the Crystallize tool is unique in that it creates more of a starburst effect, almost as if groups of crystals were bursting out of the image. You can use this effect to create fur for animal illustrations or to draw fungus (as you will be doing next).

Double-click on the Crystallize tool, and change the intensity to 100% . Click carefully on different areas of the inside of the vine, changing the size of the brush to create different looks. Notice the difference in effect from placing the brush closer or farther away from the edges. Remember to hit Ctrl + Z to erase brush strokes if needed. You can also click a few times on the outside of the vine using a smaller brush size to create more of a spiked effect:

Create fungi with Crystallize.

Now change the intensity to 50% , and click on some of the “crystals” to grow more interesting fungus shapes. Try some clicking and dragging to elongate the crystals.

Add even more fungi.

Create different vine shapes, add a few leaves, and then scale, rotate and reflect each piece. Put them all together to create your unique vine illustration, made using the entire Liquify tools collection.

Ornamental vines created with Warp tools.

In Conclusion

The Liquify tools in Adobe Illustrator are a hidden gem of sorts. Not many tips for them are available online, yet each tool can produce a unique warp effect, and all are exceedingly useful for various projects. Just remember that, as with most other tools, the best way to learn the Warp tools is to use them over and over and over. Play around with the settings for each one to see what amazing designs this incredible set of tools is really capable of. Then share what you have learned, or display your art for the online design community to enjoy!

Further Reading

(al, il, mrn)

Adobe Illustrator CC

Softonic review

Create stunning vector graphics on your Windows PC

Adobe Illustrator is one of the most popular, reliable, and feature-packed design software for creating vector graphics, sketches, drawings, and artwork. The program gives access to multiple tools for high-quality design projects. With brushes, special effects, layers, filters, color processing, gradient effects, and drawing tools, you can create stunning designs from your imagination. The application lets you add final touches to creations instantly and integrates well with other Adobe products. It’s also available as part of Adobe Creative Cloud.

Multiple effects, layers, features, and templates

Adobe Illustrator is a solid, reliable, and trustworthy design software. The program has been designed to create illustrations, web designs, typography, mobile content, logos, videos, digital graphics, and many more. Integrated with the company’s Mercury Performance System, this application helps improve workflows, manage large-size files, and work with improved speed.

Just the same with Adobe Illustrator CC, even the standalone app comes with preset templates to choose from or to serve as references. This gives the software more flexibility when it comes to working on creative projects and marketing campaigns.

What about the interface?

Compared to PaintTool SAI, AutoCAD, and other similar programs, Adobe Illustrator comes with an intuitive interface. The easy-to-navigate tool ensures maximum productivity and lets you move the cursor fluidly in multiple workspaces. Additionally, it lets you easily manage layout changes or reset crucial parameters.

Whether you download Adobe Illustrator as a standalone app or install it as part of Creative Cloud, you’ll get access to various tools and functionalities. Combined, all these work to ensure precise sketches and drawings with vector graphics.

Adobe Illustrator works with a powerful image-tracing engine. It keeps your creations clean and accurate, giving you more time to polish your design skills. For instance, while working with gradients on objects or strokes, you get more control over opacity and placement.

What are the features?

For years, Adobe Illustrator has been the leading choice for working with vector graphics. The program comes with multiple drawing tools, which can be used to create scalable drawings. The artwork you create on Illustrator is ‘resolution independent’, making sure different elements can be resized without compromising quality.

While working with Illustrator, this feature is also available for the ‘effects’ section. Though the creation may have modified textures, resolutions, blurs, and shadows, you won’t notice much difference in quality.

Moreover, the app supports cross-media design, allowing the entire layout to adapt to different customizations. With this design tool, you can draw or edit something on a smartphone, digital printing sources, and online publishing platforms without worrying about the shift in quality or aesthetics.

The program comes with a diverse brush palette. Additionally, you can create new styles within seconds. The most commonly used brushes include ‘Blob’ and ‘Bristle’. While the first one generates a single vector, the second gives your designs a natural look with in-depth, realistic strokes.

Apart from this, Adobe Illustrator has various advanced features, including live distortion, 3D effects, multiple symbols, the ability to bend shapes, Gaussian blur, shape builder, and more. Overall, the program is packed with exclusive as well as commonly used features to boost your creativity.

Is Adobe Illustrator easy to use?

Compared to Corel Painter and other programs in this category, Adobe Illustrator is easier to navigate. Unfortunately, it can sometimes be overwhelming for beginners. Having said that, there’s a dedicated ‘Help’ section, which answers common doubts and queries. Once you start using this design software, you’ll be able to get the hang of the different features and functionalities rather quickly.

The program focuses on step-by-step tutorials, which let you cover basic and advanced techniques to work with vector graphics. Like most Creative Cloud apps, even this one has large-sized icons, organized properly in top and side window panes. Right from the beginning, you can use the program’s intuitive and straightforward interface.

Illustrator has been developed by Adobe, which has years of experience in innovation and technology. As such, the program receives updates and bug fixes on a regular basis. In the latest version, you can leverage global editing, customizable toolbars, presentation previews, trimming features, and freeform gradients.

With support for Cloud storage, Adobe Illustrator lets you easily collaborate with colleagues and clients. The program gives you more freedom to foster creativity and imagination. In the last few years, the developers have made several improvements in critical areas, including workspaces, painting tools, drawing features, color correction, among others.

Once you’ve worked on a specific design, you can choose from various exporting options. You can either save the creations on Cloud or upload files to third-party services. Since Illustrator integrates well with other Cloud apps, you can open vector images in other Adobe products, such as Lightroom and Photoshop.

Without a doubt, Adobe Illustrator has been a great choice for artists, designers, and content creators looking for accuracy, precision, and high-end quality in vector graphics. Every tool in the program encourages creativity, speed, and imagination. The end result leads to stunning visuals right on your Windows computer. Most importantly, installing Illustrator doesn’t affect system resources.

The benchmark tool for amazing design work

Adobe Illustrator CC is one of the leading platforms for vector graphics. With an intuitive interface, customization options, multiple features, and Adobe’s high-end technologies, the program has a definitive edge over competitors. The latest version not only supports Cloud apps but comes with important bug fixes and improvements to speed, accuracy, and privacy.

Adobe has also focused on building a solid community, which includes artists, designers, and content creators from around the world. With multiple forums, FAQs, dedicated help sections, and excellent customer support, the company continues to build a solid design software for Microsoft Windows (10 and 11)PCs.

Just download and install the program, and you won’t be disappointed with the usage. Adobe Illustrator has different subscription plans, suiting every budget and requirement. You can also test the features in the free trial period.

Illustrator for iPad vs. Adobe Fresco vs. Procreate

So if you’re a vector artist is there an area of use for Adobe Fresco now that Illustrator for iPad is here? Well, I would say that it all depends on how you like to create. I love the fact that you can draw with both vectors and pixels in Fresco and if I would guess how I will continue to use the apps I will probably sketch in Fresco and then finalise the drawings in Illustrator. One feature that Adobe Fresco has that I love is the time-lapse, so that you can see your drawing as a video. I don’t only love to look at the time-lapse myself, but they’re also great content to share online, on for example Instagram. Illustrator doesn’t have the time-lapse feature (yet… who knows what features will come to Illustrator on the iPad in the future).

And how does Procreate compare with Adobes drawing apps?

So how does Procreate compare to Adobes drawing apps? Well Procreate has its own interface and features. It’s a stand-alone app with a fixed price, rather than the subscription you need for Adobes apps. At this moment Procreate is probably the most popular iPad drawing app amongst creatives (my personal guess, not facts). Personally I love Procreate, and I tend to use Procreate for pixel drawing rather than Adobe Fresco, which I feel isn’t as developed and intuitive (yet anyhow). I love the fact that you can create your own brushes, or buy new brushes to Procreate. That enables more freedom and a chance to get a more unique style on your artwork.

And maybe the most important question; which iPad drawing app should you use and why?

So the question is: How many iPad drawing apps should you learn and use? And which is the best one for you? Well, of course, this is a hard question for me to answer for you. It all depends on how you create and what your preferences are.

Personally, I love all three apps and my guess is that I will continue to sketch in Adobe Fresco, as it’s an Adobe app and I love how compatible and editable all documents created in the Adobe drawing apps are if you want to open them in the desktop version of Illustrator or Photoshop. Or if you just want to move back and forth from one app to another while you create.

You could also sketch in Procreate for your vector drawings, but as it’s not compatible with the Adobe apps you won’t get the same editable files when you switch to your next app and draw the vector motives or illustrations - which for me is Illustrator on the iPad.

So Adobe Illustrator on the iPad will be the app in which I mostly draw my vector illustrations. The features are so familiar to the desktop version of the app and it enables the workflow to get so streamlined when you can move back and forth with your files so easily between the iPad and the desktop app.

So what about Procreate then? Will, I ever use that and would I recommend it? Yes and yes. I will most likely continue to draw my raster illustrations in Procreate, as I feel that Adobe Fresco isn’t as versatile and intuitive (at this moment in time anyway).

P.S. To learn more from me check out my Skillshare classes and YouTube tutorials, and why not say hello at the gram :)